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Chris Stein, Deborah Harry and I are sitting in an office of Blank Tapes Studio, catching up on the recent past and future prospects of Blondie. At the same time, the duo are hustling through a last-minute blast of errands before taking Chris’s historical photo exhibit to London, where they’ll promote their book Making Tracks, the new Blondie album, The Hunter, Deborah’s forthcoming film role in Videodrome, a worldwide tour set to begin in midsummer, Stein’s own independent label, Animal Records, and whatever else they’re planning for their spare time.